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Blackmagic Forum • View topic - DaVinci Resolve 15 User Manual update

New DaVinci Resolve This update also improves gallery still previews when using shared gallery paths and during collaboration sessions. Download now! I don't know when this got added — but I LOVE that you can middle click scroll the inspector pane in fusion in resolve. If you want to learn a huge amount more about the new features in DaVinci Resolve 15 check out these previous posts:.

DaVinci Resolve 15 BETA Supported Formats and Codecs 4. Supported Video Formats and Codecs Mac OS Windows 10 Linux Format File Ex. Codec Decode Encode Decode Encode. I own Davinci Resolve Studio/Fusion Studio (paid versions) and HitFilm Pro 8. With that said, I do not believe Davinci Resolve 15/Fusion 9 is a definitive HitFilm killer, as both software options tend to cater to different audiences. In terms of VFX, HitFilm is more accessible, from a technical and system resource level, than Fusion 9. A tutorial on how to fade in and out video in Davinci Resolve. We don't have any change log information yet for version 15.3.1 of DaVinci Resolve. Sometimes publishers take a little while to make this information available, so please check back in a few days to see if it has been updated. DaVinci Resolve 15 — Certified Configuration Guide 1 Hardware Selection and Configuration Guide PUBLIC BETA DaVinci Resolve 15 The world’s most popular and advanced on set, offline and online editing, color correction, audio post production and visual effects system.

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One of the overwhelming things about Blackmagic Resolve software is just how much it does. It started with a color correction toolset that is so rich in features that many users would install the free software, take one look, and close it immediately. It's been expanded, first to edit, then sound, and now with Fusion to include a full 3D compositing application from directly within the software. No need to roundtrip or link to another program, you can now move seamlessly from the timeline back to the compositor within a single application. It does a lot, and frankly it can be a bit overwhelming.

Notice of Rights All rights reserved. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Blackmagic Design was aware of a trademark claim, the designations appear as requested by the owner of the trademark. All other product names and services identified throughout this book are used in editorial fashion only and for the benefit of such companies with no intention of infringement of the trademark. No such use, or the use of any trade name, is intended to convey endorsement or other affiliation with this book. Mac and macOS are registered trademarks of Apple Inc.

Beta versions 7 and 8 were published in just under two weeks, so a final release of Resolve 15 was kind of imminent. Now, 4 months later, the final version of Resolve 15 hits your download folder. With the package comes a massive pages reference manual as a PDF. Everyone can download and use the free version. The tabs as in: workspaces at the bottom of the screen now include: Media, Edit, Fusion, Color, Fairlight and Deliver. Watch the video below for a fairly extensive overview of the new features:. The above video came out just after the announcement of Resolve 15 so there might be slight changes to some features but you get a pretty good idea of the deep integration of Fusion and Fairlight into Resolve.

in DaVinci Resolve If you're a Resolve user already and you just want to 15 are covered there. This PDF is divided into two parts. of the manual that will accompany the final release of DaVinci Resolve For now, use this guide as a .
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Download Five hours of Free DaVinci Resolve Training

DaVinci Resolve 15 Tutorial : Color Grading Crash Course

With curriculum designed for new users and established professionals alike, Blackmagic Design certified training teaches you the skills you need to be more creative, work faster, and get the job done! Learn how and why you should use the primary and secondary grading features, along with how to read scopes. This video will show you how to work in 3D, extrude and customize text, animate, particles, glows and more. Learn how to prepare your content for delivery! Complete Online Exam. This hands-on training guide will teach you the art of sound editing, sweetening, recording, mixing and mastering.

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In part 5 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at everything you need to know about the delivery page.

Welcome to episode 5, the penultimate episode of our crash course. In this episode, we’re going to look at how to render your content on the delivery page. If you’ve been following along, by now you should know setup (links to the other episodes are the bottom of this page).

Let’s get started.

Given the overall simplicity of the delivery page, this should be our quickest episode yet. As a basics crash course, we’re only going to focus on the fundamentals of the delivery page. That means we’ll just be covering the essentials you need to get your content ready for delivery.

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To render your edit, first you have to go to the delivery page. This page, like every other page, has its own layout, but it’s familiar enough that after working through the first five pages, you should be able to find your way around without getting lost.

• Top left: render settings panel — for selecting the settings.
• Center: viewer — to watch the completed edit.
• Top right: render queue — where edits wait to begin render.
• Underneath: clip display.
• Bottom: non-editable timeline.

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Let’s have a look at the render settings panel first. This will be your first port of call when opening the delivery page. From filename and location to codec and bitrate, it’s all confirmed in this panel. I remember when I first started making films, render settings were always a bit of a mystery to me. One video is telling you to render at this setting, another article is telling you make sure you export in this format — it can quickly get confusing. Resolve helps streamline that process with a set of one-click presets. You can choose from YouTube upload or audio only, and most upload presets will only need you to click “start to render.”

In this example, my video is going straight to YouTube and nowhere else. Therefore, I’m going to select YouTube. Since 4K is slowly becoming the norm, that option is available on the drop-down menu on the YouTube tab. Resolve has changed the render settings to conform to YouTube’s suggested upload format, so essentially, all we need to do is specify the location, and we’re good to upload.

However, you can also customize each setting, so let’s look at our options. First, we have the format and codec. As stated in the YouTube online help section, YouTube’s preferred online format is Quicktime with an H.264 codec — Resolve has automatically set that for me. But if you were ever to render the file for offline viewing, you would need something with less compression; you can change that here. The initial YouTube preset will restrict your bitrate to 10,000 kbs, but if you want that extra bit of clarity at the cost of a larger file, you can get it.

If you need to change the audio settings or the file settings, you do that by hitting the audio or file button, which will swap out the sub panel here. I sometimes find that new users get lost trying to find the audio settings because they’re hidden in plain sight. (You can leave the file submenu exactly where it is for now.)

You can also render out your edit into individual clips. But, most of the time, you need to make sure that you select a single clip. When you have selected all of your settings, you hit add to render queue. When you do so, the edit under those settings goes to the queue on the right. What if, however, you need a shorter version of your edit — say 15 seconds’ worth for an Instagram ad?

What we can do is head to the timeline, and instead of rendering the “entire timeline,” we can select render in and out range. Then, by using the same keyboard shortcuts as we use on the edit page, I and O, we can create our 15-second range.

With that complete, and after a slight variation in the file name, we can hit add to render queue. Now, we’re ready to hit render. That’s it. That’s the delivery page in a nutshell. It’s nice to have an actual user interface for all of the export settings and not just a small pop-out window.

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For our final episode, we’re going to look at adjusting some of the internal settings, and a few editing elements that you can only find when using fusion tools or the color page.

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Interested in the tracks we used to make this video?

• “Relaxing in Vermont” by Chill Study
• “Brooklyn Drive” by Chill Study

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Looking for more video tutorials? Check these out.